The Plagiarist in the Kitchen: Elephant Gratin


Jonathan Meades – once described by Marco Pierre-White as ‘the best amateur chef in the world’ –  is currently raising funds on Unbound for a new cookbook – or perhaps an anti-cookbook.

Called The Plagiarist in the Kitchen, it will contain 125 recipes and also be a paean to the importance of avoiding culinary originality. Everything in it will be entirely lifted, and will therefore be good. As an example, here’s Jonathan on ‘Elephant Gratin’…

“Copy anyone but never copy yourself.” Picasso did not of course heed his own advice. Self-plagiarism is probably the most common form of plagiarism. The perpetrator fails to notice – for this or that tic has become a habit, an unacknowledged signature. Equally likely he hopes the world won’t notice it. After all, it’s just about not straying from one’s familiar territory… Maybe comfort zones should be razed to the ground. The dedicated plagiarist should have no familiar territory of his own. Cuckoos do not favour one species’s nest and young over another’s. A jay’s chicks taste little different to a chough’s. The plagiarist should steal indiscriminately.

The Elephant earned his nickname at school in the further East End because of his exceptional clumsiness. This might be a bit of a calumny on elephants who are actually nimble creatures.

I confidently recalled that the dish which now bears his name was nicked word for word from Mastering The Art of French Cooking (MAFC)… Save that it turns out not to have been: the nearest thing in that magisterial and essential book is a gratin of potatoes, onions, anchovies, eggs and cream – evidently a relation of the Swedish Jansson’s Temptation which, properly, uses sprats rather than anchovies. It’s not that near. So where did Elephant Gratin come from? My mother used to make it but she’s not around to ask. Still I’d swear on her grave that she ascribed it to MAFC. Happily, she has no grave: her ashes were thrown into the river Nadder at its confluence with the Hampshire Avon. My then girlfriend Christine Wood suggests that it was an amalgam of the MAFC recipe and Jane Grigson’s recipe for Pissaladière. But cream? And tomato in a pissaladiere?

My fear is that Christine or I or both of us invented it. Which is hardly the behaviour of a plagiarist.

Potatoes – a firm variety which won’t fall apart, sliced about 4mm thick.
Tapenade – robot-chef pitted black olives.
Tomato sauce – the dense, jammy, oily, garlicky version. Omit salt.
Anchoïade – robot-chef anchovies, garlic, olive oil (p–). Omit vinegar.

Oil a gratin dish or roasting tin with decent olive oil. Put in a layer of potatoes. Smear with tapenade. Another layer of potatoes, followed by tomato sauce, a further layer of potatoes, then anchoïade, then more potatoes. Spray the top with more olive oil.

Cook in an oven at about 180 degrees for 60 – 80 minutes.

It is equally good, maybe even better, served cold. The Elephant, who was staying because he was between flats, concurred. One evening I made an inordinate quantity of it for a party of ten people the following evening. In the morning I wandered into the kitchen to make coffee. The roasting tin was empty save for a few drops of oil, a smear of tomato and a tide mark of potato crust. The Elephant was unabashed. He had been very hungry. He considered it the far side of delicious. I failed to accept his compliments with good grace.

You can support the book and pre-order your copy and other Meades goodies below…


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About Author Profile: Jonathan Meades

Jonathan Meades is a writer, journalist, essayist and film-maker. You can find out more about his books, television programmes and other work at

2 thoughts on “The Plagiarist in the Kitchen: Elephant Gratin

    June 22, 2015 at 11:57

    Hopefully the book will contain a topical recipe….ausfahrt moussaka, with hints of rendered pension, may be found unpalatable in certain quarters, instantly meeting fame in others.

    June 22, 2015 at 12:16

    This should be an excellent read. I was young at the time but remember absolutely loving the old Meades restaurant reviews, and have the ‘Incest and Morris Dancing’ compendium somewhere. Although of course that was notionally all about eating rather than cooking. One thing I always noticed was that JM didn’t seem to talk about the food much, although he did go into much more detail whilst in French restaurants. Perhaps why he lives there now…

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